The ring

The ring, everlasting; sometimes, unbidden, he can feel its annulus metallic chill, the phantom sensation and horripilation of an infinitely symbolic, twisted lemniscate; an unraveling thereof, which is no less forever

When möbius memories turn aback, he’ll depress the hoop seeking an idyllic, rockwellian innocence, one that he was never comfortable wearing; a pressing reminder of what has always escaped his grasp

Finitely symbiotic, the ring preys at the temple amidst the hoar, the seventh circle’s center, and he hears the clamor approaching nigh; gorging upon one another, the ring and he, teasing the hitherto elusive climax

Once removed, the cyclic debossment scars him for moments thereafter, before fading into numbed cowardice; an instant would change everything, a simpleton’s squeeze would repair the wayward id’s indiscriminate carnage

It is flattery of the sincerest form; for with every rosy impression it leaves, each blandishment it seethes from its cold, steel mouth, it draws heavy lids and heavier focus, though hasn’t yet the strength to draw a single finger

Scoring a merry-go-round imprint, a revolving rapture he ever bears, it extols echoes of peace through temerity and quells maudlin madness through casuistrous clarity; portentously, a searing ring for the ages, once thereupon the hammer falls

art: Q34 by Eric Lacombe

Spaces

He paces throughout this prison,
barred by the abandoned spaces,
only remnants of remembrances,
naught remaining in periphery

breathing subject to parsimony,
being always reticent to continue,
heaviness of heart to aching joints,
he can’t embrace the empty spaces

rather he zealously oppugns reality,
avoids the missing yet not unseen,
at the mercy of the vacant spaces,
caged by the enclosing nothingness

his stride transports him memoriter,
closing his eyes affords a wider view,
the vast open space of the eigengrau,
graces him with anamnesis anew

art: Nigredo – Morgenthau by Anselm Kiefer

Needlestack

Overwhelmed in a subsumption
of rapier steel, a slender stalk
of hay in the needlestack, every
eye encircling him in judgement;

each piercing their displeasure
in a mental bloodlet, no hand
would brave the chromium cage
that traps his bridled rage, lest

they too be lashed; no way to
thread an escape, he sets to gaze
in perpetuity upon the pleasance
at his reality’s edge; self-inflicted

destruction would surely end the
improbity that surrounds him,
presses upon him, crucifies his
every pore; yet he yields in

torpidity beneath the wake of
life’s defining failures and the
weight of obstinate oppression
that steels his own imagination

art: Idle Hands by Will Barnet

Oblivion

Swallowing laments, coughing
up stained glass, her voice is
lost in the shattering barks
rending the silence in twain

Vitric dust settles in layers of
carmine remorse over bare feet
and choices wanting; painted
into a corner, and into oblivion

Ocular leadlights with cames of
tear, a cranberry gloss no longer
rose, reflecting life, her tormentor;
rolling eyes, leading to salvation

Her back against the wall, she
vanishes into the pale embrace of
waiting white, leaving behind only
footfall islands in a crystal sea

art: anesthesia by Peterio